These analogue mementos present themselves as the ideal medium to examine notions of time itself, specifically the western linear perception. Photography by its nature disrupts successive time. As a chronological inscription, analogue imagery is tethered to its time of creation.

Digital technologies uncouple photographic materials from time and imbue them with plasticity, whilst creating innumerable avenues for access and dissemination.

Standing astride analogue and digital technologies, these works exist inside this space of transfiguration. They invite interrogation into the paradoxes inherent in photography and its relationship to time and memory.